Category Archives: Gouache

The power of words- and the vessels to hold them. (The stories behind my top 10 greetings card designs!)

This year has forced an odd paradox. Meaningful human connection, necessary for us to function properly, has only been recommended to occur from a distance. This is a bittersweet contradiction in itself- where words and technology are our normally our tools to enhance our powers of connection, they have had to do as a replacement for many of our day-to-day physical expressions of love. If it weren’t for my lovely partner keeping my hug-o-meter going all by himself, I probably would have struggled even more than I did.

But, perhaps because of this, the act of using words to communicate and to document has felt even more powerful this year. I’ve felt like I’ve got a little more practice at expressing myself honestly- not just in the ways that I feel people want to hear. To paraphrase a really good friend in a heart-to-heart over the phone the other day- when your world becomes contained within four walls, there is no space to hide from the things that scare you anymore- and when this happens, you have to face them in the best way you know how.

I’m just coming to the end of a short writing course, called “The Winter Writing Sanctuary”, taught by the inspirational Beth Kempton. (Any of you word lovers, PLEASE jump in and take this course if you can- it’s so freeing, supportive, and fun!) Over the past two weeks, I’ve really challenged myself- to write every day, to approach each of the prompts openly and fully, to share my work even though its scary. As I’ve begun to realise more than ever before that one of my life’s dreams is not only to illustrate, but WRITE my own children’s books as well, it has been a wonderful way to enjoy writing for fun again – and allow ideas to bubble up without putting too much pressure on them as they’re trying to get out! I’m realising that I really love writing with a gentle undertone of comedy- which makes perfect sense really, as there is nothing I like more than making people laugh! (This will be the focus for my next post, my last before Christmas!)

I treated myself to a new notebook for this course which got me thinking about where we like to keep our words, to keep them safely locked away for ourselves or for others. What vessels do we use to store them? Some feel pretty permanent- like books or letters (which may be why it sometimes feels so daunting to put the first words into them, because we want them to feel like something precious!) – while we know that others may not stick around for ever- they may be more fleeting expressions of our feelings at the time.

I’ve always loved sending physical post to people as a way to remind them that I’m thinking of them. I loved exchanging letters with an old school friend back throughout April and May- she is an awesome writer, I smiled at the pictures she conjured of walks in the sunshine and precious time spent on new hobbies (the alchemy of dehydrating foods and making Himalayan Balsam gin) and imagined a similar sunny day where I could hug her again, and join in with these adventures!

This year (even more than those that have passed, although it’s a ritual I really enjoy) I want to prioritise writing Christmas cards. They are, after all, mini presents made up of well wishes- and I know that the people that I reach out to will appreciate the thought!

In this seasonal special blog post I’m going to be talking a little bit about the stories behind 10 of the Christmas card illustrations I’m most proud of- as well as links to where to buy them, if you so wish!

A couple of notes about these links, and the places that I currently sell my greetings cards, before we begin:

-Thortful is an online greetings card marketplace- artists can upload their designs, Thortful handles the production costs, and royalties come when people buy your cards! (To see my profile, take a look here!

-My shop is a new venture I launched last year- a place to continue the good work that I do at art shows and exhibitions; to sell the work I have developed as products (greetings cards, mugs, coasters, etc.) I order stock, package and post myself! To visit and browse, click “shop” in the menu bar above, or click here!

As the copyright for the designs on Thortful remains with me (they don’t own an exclusive license to any of the work) there is some cross-over with the greetings cards I sell through both of these platforms. Since the pandemic hit I’ve been grateful to have both in existence: I have had the best year on Thortful sales-wise since starting in 2016, and I have been gearing my promotion more towards that platform to reduce the time I spend at the post office over the past months. However, after exploring some more creative ways of getting post out, I’ll be pushing my own shop more next year!

TOP TEN FAVOURITES: CHRISTMAS CARDS TO CELEBRATE WINTER!

“Winter Balloon” – © Carina Roberts Illustration

Believe it or not, winter is one of my favourite seasons. Yes it can be bleak, depressing and sharply poignant at times, but it can also be the most beautiful season, with the sun low in the sky and a hollow, cold quality to the air- particularly when it snows. I love how your breath plumes out in front of you like a dragon’s, the sprinkling of frost on a morning walk, the bluish tint to hillsides on a cold day. When I was planning ideas for “Winter Balloon”, I was inspired by the Gordano Valley where I grew up, the fields that I used to be able to see from some of my school classrooms where I would daydream: imagining striding out to explore like an adventurer.

Where to buy? This design can be bought direct from my shop!

“Winter Woollies”- © Carina Roberts Illustration

Robins are one of the most loved symbols of winter and Christmas here in the the UK. They’re just irresistible – to admire outside among stark branches while dressed up snugly, or encapsulated within a greetings card- round, bouncy, fluffed out and bright. The story goes that our association with these charming little fellows began in the 1800s with the creation of the postal service, and the red uniforms that were issued for staff: later nicknamed “robins” (could this also be linked to the phrase, “round robin”?)

Our nearby woods and green spaces have been indispensable to me this year as I’ve focused on taking delight at the small pleasures of life. Catching a glimpse of these little birds reminds me of the famous individual we had turn up every Forest School snack time to hoover up the crumbs – looking back at this design which I created in 2016 now feels like a happy memory of simpler times (and maybe even a symbol of hope for the future!)

Where to buy? This design can found for sale on my Thortful site, or direct from me at my shop.

“BOK-ing around the Christmas Tree” © 2020 Carina Roberts Illustration

Last year, I was coming up with some new ideas for a Christmas collection, based on animals. After spending a weekend in early November 2019 with my partner at his parents’ farm and palling around with their chickens again, I knew I had to include them somehow.

I love helping with the daily care of these feathered members of the extended family! Opening their coop in the morning, mischief at dusk when one decides it’s not bedtime when tucking them in – it’s a joy to watch their jerky, dinosaur-like movements whatever they’re up to, especially when they dash madly after whoever they think may be the keeper of food. This was around the time that I first started considering intentionally including more of my sense of humour in the artwork I make, as I started exploring ways that a greedy hen might get to their Christmas feast quicker.

Where to buy? This design can be found for sale on my Thortful site until the 31st of December 2020. After that, it’ll only be available direct from me. (I’ll talk more about why a little later on!)

“Prince of Snow”
“Inuit Bear”
“Polar Bear Closeup”

Seeing the work of Raymond Briggs in a whole new light after studying “When the Wind Blows” for my university dissertation (and buying “The Tin Pot Foreign General and the Old Iron Woman” for my Dad the Christmas before last) I have plunged into as many of his books as I have been able to over the past few years- revisiting old favourites and discovering new ones.

“The Bear” is definitely one of these new favourites- after reading the book (and watching the film adaptation) I produced a flurry of work inspired by polar bears, choosing to focus on their soft and gentle side (their proud features, the smooth slopes of their snowy heads) in the three designs above.

Where to buy? “Prince of Snow”: This design can found for sale on my Thortful site, or direct from me at my shop.

“Inuit Bear”: This design can be bought direct from my shop!

“Polar Bear Close-up”: This design can also be bought direct from my shop!

“Hibernation”
“Cosy and Warm”

Another huge plus for winter in my book is the COSINESS! I love a pair of fluffy socks, a woolly jumper, a warm blanket- I love snuggling up in the one my Mum knitted me a couple of years ago on a cold winter’s night.

It feels like something really innate, this desire to snuggle up during the coldest, darkest months. Lots of animals hibernate, gathering up all the cosiest materials they can find to get ready for a long sleep- and looking incredibly cute to our human eyes when they do. It can be difficult to get a good glimpse at this when they’re out in the wild- but I’ve been lucky enough to make some drawings of similar mice from life on a couple of occasions. For both of these designs, I really tried to imagine how these tiny creatures were feeling, ensconced in their carefully crafted nests after a winter feast.

Where to buy? “Hibernation” – This design can found for sale on my Thortful site, or direct from me at my shop (while stocks last- it is one of my most popular cards!)

“Cosy and Warm” – This design can found for sale on my Thortful site.

“Have a Quacking Christmas”

When I first moved into my current house last September, I wanted to get to know my surroundings properly: not just as somewhere to see in passing, (as I had been doing every time I came to visit my partner) but as a home.

There’s a community farm very close by that I visited a couple of times during this period, in order to get some inspiration and ideas for a new Christmas collection (“A Christmas Farmyard”, the same group of greetings cards “BOK-ing Around the Christmas Tree” was designed for.) I had taken an interest in geese after playing the “Untitled Goose Game” through Steam (it’s hilarious, if any of you like video games and a bit of bird-related humour I’d definitely recommend it!) I was delighted to find a variety of honking as well as quacking species waddling around their site- based on my observations of their movements and beautiful markings, I began the development work for the raucous party of ducks you see above. (I look forward to when we can party this hard again!)

Where to buy? This design is currently available on my Thortful site, and after the 31st of December, (ie. ready for next Christmas) direct from me at my shop. I am still working on adding to the “Christmas farmyard” collection- who knows who else might be joining them next year!

“Horatio’s Hindrance”

Decorating for Christmas has always been one of my favourite parts of winter- twinkling lights that make your everyday living space feel magical; a tree dotted with memories of years past, captured fleeting moments. Both me and my brother have looked on in disbelief at some of the things my Mum and Dad have continued to put out on the tree year after year- some as prehistoric as our wonky school cross-stitch attempts. There is a clear message that flows out of these choices, warming the house from the inside out: “We choose to have these Christmas Crafts on show- because you were proud of them. They were presents, your most precious treasures gifted to us- love is in each and every one, and that is worth something.”

I’ve really missed working with children face to face this year, and have thought a lot about my wonderful nursery friends over the past months. I was lucky enough to work with the most supportive, lovely groups of adult and children, in the most caring environment – and in a similar vein, the run up to our Christmas was celebrated with makes, as well as decorating the building. There was always a buzz of excitement, and the same glow of pride in our work as there had been at home when I was small – a world of exploration, without the fear of mess. (After all, a bit of mess just shows you’ve been learning and having fun!)

Designing “Horatio’s Hindrance”, I wanted to capture a little spark of this feeling- that some of life’s beauty lies in the imperfections- the beautiful chaos of Christmas craft.

Where to buy? This design can be bought direct from me at my shop. It has also become my third best seller EVER this year on my Thortful site, and will be available in its current format until the 31st of December 2020.

I say in “its current format” – as I touched on briefly earlier, there are some changes coming to Thortful on the 31st of December. After this date, they will only be accepting portrait orientation card designs on their website- any landscape cards will be deleted from artist profiles. “Horatio’s Hindrance” will be returning, but rejigged to fit this new specification, while I have plans brewing of how to build on “Bok-ing Around the Christmas Tree” and “A Quacking Christmas” and put up two new designs, still part of my “Christmas Farmyard” collection. I will still be ordering new physical stock of the cards no longer on Thortful though, for sale direct through my shop (and at face-to-face events, when I can celebrate doing those again!)

x x x

I hope there’s some inspiration here to capture those words bouncing around your head and funnel them out into or onto something- private or to be read by someone you know will love them! Fill your home with wonderful words!

As I previously mentioned, next time I’ll be talking a bit about humour and how I use it in my work. My delight at the simple things in life is something that has become apparent to me while completing the aforementioned writing course. The work I have the most fun making always has an element of gentle humour – it’s something I’d love to focus on more next year.

So, in the hope of inviting a better 2021, this will be my focus for the last blog post of the year! See you soon!

© Carina Roberts and AutumnHobbit. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Carina Roberts and AutumnHobbit with appropriate and specific direction to the original content.

Skokholm- A week in paradise!

“We must leave this province of the laboratory and theology to resume our study in the field.” Ronald Lockley, “The Island”. 

Third time’s a charm, or so they say. After two failed attempts to leave Martin’s Haven jetty since 2017, I held my breath, and crossed every part of my body that could be crossed in hope that this little superstition might hold firm this time.

Fair winds and a spot of good fortune later, and I can joyfully proclaim that WE MADE IT TO SKOKHOLM!!

While we (my partner, his parents and I) were there, I kept a journal- a diary and study of every wonderful thing I learnt during a week on the island, as I made friends with as many of the inhabitants as I could! This sketchbook accompanied me in all weathers and crossed a small portion of the Celtic Sea twice- it’s far from polished, but I think that adds to its charm- a bit like an old fashioned explorer’s log!

In honour of the wildly wonderful island community of Skokholm, let me tell you the story of a week spent among puffins, seals and stiff salt breezes with the help of my little battered book!

(All photos and sketches: © 2019 Carina Roberts Illustration, unless credited otherwise.)

IMG_20190603_140653392_BURST000_COVER_TOP (LR FOR BLOG) © 2019 Carina Roberts Illustration

Day One – Arrival

From home to Pembrokeshire, through Marloes and on to Martin’s Haven, 03/06/19. Passing luggage onto the boat through a chain of all the people you’re going to be sharing your home with for the next week is a great way to get to know them! (Wonderfully reminiscent of my summers spent camping with Guides, too!)  Departed around 1:30PM on a slight swell, around 20 of us altogether- not choppy, but a little touch and go for the seasick among us (for once, not me!) It didn’t take long to spot the first locals- we were joined for most of the crossing by a gull gliding over our heads, and the tiniest flash of bright red, yellow and brown-black whizzing over the water would be my very first puffin sighting! And who would be waiting in the South Haven harbour for us but a speckled group of seals, wiggling about in the afternoon sunshine- with others popping their noses out of the water to see who had arrived today. What a welcome!

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Continuing the warm greeting, we all joined Richard the warden for a cup of tea and an introduction. Skokholm is home to thousands and thousands of seabirds every spring and summer, (including over 9,000 puffins!) as well as the aforementioned seals, butterflies, moths, and lots of other types of birds. As a Special Protection Area, a hugely important National Nature Reserve and a Bird Observatory, humans are very much in the minority- the island belongs to the feathered and furred inhabitants. Pathways are set up with white stones to show visitors where they’re allowed to walk around the island- keeping a respectful distance away from the residents (although you sometimes have to be careful not to tread on any burrows!)

Exploring on this first day, we visited Howard’s Bay and Crab Bay, the latter being the best place on the island to see puffins- not only are there a lot of burrows, this is where the puffins are tamest and the most inquisitive! As Richard told us later on at the Bird Log that night (where the two wardens, volunteers and guests can gather to give their wildlife sightings of the day) if you keep still enough they will come up to investigate, and perhaps even sit on you!

(Here I include a link to the official map for the island, the same one I stuck in the front of my journal. You’ll be able to see where all of the places that I mention are located!  visitor-map-Skok (1)

Settling into our room that night, blankets up my neck, I was surrounded by an ornithological racket- idyllic when mixed with the sounds of the lapping sea and whistling wind, but not exactly quiet! I stayed up pretty late just listening to the wild world outside… What a wonderful place!

Day Two: The drawing begins!

Day Two (04/06/19) was wet, so after a little more exploring we visited the hide (and the puffins!) at The Neck, overlooking North Bay. This became my workplace for the day, as I watched the puffins congregating, chattering, and generally being busy. I stayed until my fingers were too cold to draw anymore – click on the sketchpages below to enlarge today’s findings!

 

(Click on any of the images to see larger! © 2019 Carina Roberts Illustration)

A bit of expansion for the little notes made here:

  • The puffin’s folded wings seem to cross over when viewed from the back, with a beautiful arrow pattern picked out in white across the dark brown-black.
  • As in the colour gouache studies, rain droplets beaded on the feathers of the landed birds- I know it’s not surprising as they spend so much time in and around water that they would have impressive waterproof jackets, but it was amazing to watch it happening in slow motion!
  • There were some pretty fabulous “boy band” power stances going on there!

IMG_20190604_141351752 (LR) © 2019 Carina Roberts Illustration

  • Puffins (or other seabirds for that matter) “raft” – float on the sea in large groups, particularly early in the season, so I’m told.
  • I discovered two new plants that day- rock sea spurrey (sperularia rupicola), and sea campion- a halophyte, a plant tolerant to salty soil.

Day Three- An Introduction, The Jetty and the Seal Chorus!

IMG_20190605_125159951 (LR) © 2019 Carina Roberts Illustration

The third day brought a strong breeze and brilliant sunshine, so we were led out on our postponed introductory walk by Richard the warden. We got acquainted with the main flora and fauna to be found on the island, as well some of the key locations around the perimeter- including a quick tour around the lighthouse.

Looking out from the disused lantern room over Grassholm and the wild ocean, we were told a famous ghost story. Just visible on the horizon through the telescope was the Small’s, another lighthouse which used to work together with others along the Pembrokeshire coastline to protect ships.

The tale goes that two lighthouse keepers were put in charge of the Small’s who didn’t get on, and would constantly quarrel. When one of them died, the other was terrified that he would be accused of murder, so he made a coffin and hung it from the lighthouse, hoping to be exonerated. Records show that passing sailors noticed the coffin, but no-one came to question it – or take the body away…

The coffin broke open during a bad storm, and the sound of the body slapping against the window of the hut eventually sent the remaining keeper mad. The poor man lived out the rest of his days in an asylum.

Some more (slightly more jolly!) things I learned:

  • A lot of the plants around the island are typically found in woodland (wood sage, sorrel, red campion) – apparently it should be covered in trees, so the Norse word “Skokholm” (“wooded island”)  would suggest. I wonder why it isn’t? Perhaps these days it’s more exposed to strong winds, as a lot of the plants and shrubs which grow are fairly squat to the ground?
  • Scarlet Pimpernel (Anagallis arvensis) flowers were particularly interesting to Darwin- apparently when cross-bred with the blue variety would produce a purple hybrid!
  • The Quarry houses the “Petrel Station” nestled in amongst the towering cliffs – a man-made wall with boxed burrows in the back which the volunteers and wardens use to monitor the Storm Petrels. (More about that on Day Four!)
  • Manx Shearwaters dig their own burrows, and the chicks are beautiful bundles of brown fluff which are weighed every week or so to monitor their progress. The burrows are marked with numbered boards so they aren’t stepped on, and the birds themselves are fairly used to being handled by the wardens and volunteers. Richard scooped one out to show us, they were a lot smaller than I expected! (Sadly they are a favourite food of the great black-backed gulls, so it’s very common to see their carcasses dropped around.)

Still fair weather in the afternoon, so at low tide I wandered down to South Haven jetty where we had seen the welcoming party of seals two days ago with my partner and his mum, in the hope of seeing some more.

We managed to spot twenty-one of them around the bay! Some were snoozing stretched out on rocks, others cruising about and “bottling” in the warm shallows- resting vertically in the water, huffing through flared nostrils. A couple in particular came so close to the jetty where we sat, curiously winking at us with those huge, liquid eyes of theirs. They definitely seemed to be interested in E’s mum’s concertina practice! The closest one slowly dozed off upright, a content grin seeming to spread from ear to ear.

(Click the images below to see my seal observations from life!)

 

Sketches © 2019 Carina Roberts Illustration

Day Four- Moths, Singing Seals and Storm Petrels by Night

This morning we were treated to the opening of a moth trap! Ishbel (one of the long-term volunteers) gently introduced us to each new beastie, sharing her extensive knowledge – we were all particularly excited to meet the Spectacle moth, as it has a really cute little face! (It’s also the only moth I’ve ever seen with a mini mohican! See sketch below)

After exploring Spy Rock and a couple of the bird hides in the morning, I went back down to the jetty in South Haven to draw my sealy friends again. I was joined by three other ladies who were staying on the island at the same time, and we had lots more willing models!

This afternoon was particularly exciting because the seals were chorusing together, wailing and howling a beautiful song that echoed all around the cliffs. I’ve never heard anything like it- now I understand where a lot of the folk tales about sirens must have come from!

Click on the image below to see more ‘morlo’ drawings- seal in Welsh!

 

(Sketches © 2019 Carina Roberts Illustration)

(A note here about a small sketch in the bottom-right corner of the page entitled “Figurehead of the Alice Williams” – in South Haven this figurehead replica watches over the harbour since the original was moved inside. The wreck of the same name was found and bought by R.M. Lockley in 1928, the timbers of which were used to help build the Wheelhouse- where the original figurehead now watches over the guests’ mealtimes.)

We were accosted by puffins for a short time at Crab Bay before dinner:

 

When it was dark, we all trooped along to the Petrel Station to see some of the Storm Petrels using Richard’s infrared camera. Even without the light, you could feel them flitting past your shoulders like bats!

A bit about these funny little birds:

  • Storm Petrels are Britain’s smallest sea-bird, they’re only about the size of a sparrow!
  • They used to be known as “Mother Carey’s chickens” to seafarers as harbingers of rough, stormy weather- Mother Carey being an ancient witch and the wife of Davey Jones- and were meant to embody the souls of drowned sailors.
  • They only lay one egg, which once hatched is the father’s responsibility- he will float out to sea with the chick as soon as is possible!
  • “Petrel” apparently came from the story of St. Peter, who could walk on water- they’re very light, and wouldn’t come inland unless they had to!

To conclude a birdy evening, we stopped on the walk back to our rooms after hearing a scuffling in the bracken just off the path- and spotted a Manx Shearwater hauling itself along on its belly through the undergrowth. (They’re pretty useless on land down to how far back their legs are on their bodies, so they’re nocturnal to reduce the chances of being eaten by gulls.) Soon, the air was full of them flying about on their nightly business, whizzing about and trying not to crash into each other- their banshee-like screeches much more eerie up close than from the comfort of bed!

Day Five- Lashing rain and howling winds

We were hit by a storm on the Friday, which meant a little sketching from life during the breaks in the rain but ultimately a day to explore the library and congregate in the cottage with the other guests to keep warm. (It was too cold even for the bird hides, really!) We did attempt a walk to the hide at North Bay, but spent most of it horizontal!

It was lovely to spend some time with the other people who were staying and get to know them, as well as the volunteers who popped in during the worst of it.

Our fifth Bird Log was a really good one- I learned that melanin, the same substance that colours our skin and freckles, is also what makes bird feathers healthy. The darker the feathers, the more attractive the male bird is to the female in the mating season- apparently a Coal Tit with his “bib” extended with marker pen was shown to get more females! Periods of feeding stress will result in “fault bars”- lighter lines in the feathers which are weaker and more likely to snap.

Click on the images below to see today’s puffin observations and studies!

 

Sketches © 2019 Carina Roberts Illustration

Day Six- An eely good one!

We went for a walk around the cliffs and past North Pond this morning- sadly the Shelduck parents have lost three of their chicks to gulls attacks. One of the other guests saw one actually get taken, which was a bit upsetting…

We ended up at Crab Bay where I spent the majority of the morning observing puffins bringing in the morning’s catch.

Click on images below to see the busy little birds hard at work!

 

Sketches © 2019 Carina Roberts Illustration

Our penultimate day, and I wanted to soak up as much time with the seals at South Haven as I could. At low tide I wandered back down to the jetty, and found plenty out sunning their speckles. As well as sketching, I experimented with taking some photos through my trusty binoculars this time- lining up my phone camera with one of the holes at the right zoom level so as not to be blurry took a bit of practice, but I did manage to get a few decent ones! All in the name of reference material!

 

Click below sketchpages to see seal observations larger.

 

© 2019 Carina Roberts Illustration

After dinner, E, his parents and I all wandered back down to Crab Bay to visit the puffins once more. They were very inquisitive this particular evening, one came up to investigate and peck at my bag straps, another came within two feet of me and gazed at me curiously for a few seconds, “And who are you, then?”

Then it happened- probably the crowning moment of the entire trip. A PUFFIN SIDLED UP AND SAT ON MY LEG! It wandered around me for a little while, and without warning hopped up and settled on my calf! I was surprised for such a little bird how heavy it was perching there (and I couldn’t help but wonder if I was going to be used as a toilet… luckily not!)

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Credit- photo © by Mike Turtle 2019

From this distance I could see every feather, every line, and every speckle on the red lid of the puffin’s eye (part of the “summer coat” which blooms with colour during the mating season and fades during the winter’s travels.) Being that close to a wild animal was indescribable… to practically be able to hear its heartbeat next to your own makes everything else slow down, and as you look the creature in the eye it’s like you give each other the little nod- “This great big rock that we’re sharing is pretty incredible, isn’t it?”

As the sun began to set, as if by magic, the puffins all seemed to shuffle rapidly away from us with the same urgency as if they were late for a meeting. They gathered in small groups, rubbing their beaks together (billing), head-bobbing and making little grunting sounds not unlike hiccups! One turned half towards me away from his little gathering, giving me a sideways glance which gave me the distinct impression I was being talked about!

IMG_20190609_204511901 ( LR) © 2019 Carina Roberts Illustration

I wonder if the animals of Skokholm hold their own “Human Log” to discuss the people they’ve seen that day?

Day Seven- The last sunrise on Spy Rock

IMG_20190609_051500010 (LR) © 2019 Carina Roberts Illustration

We wanted to make the most of our last day, so we hauled ourselves out of bed at 4:30AM to climb Spy Rock! From this point we could see the sun rise over the whole island, lighting up each tiny flower with a fiery glow all the way out to sea.

After watching another moth trap being opened (another spectacle moth was hiding inside!) we explored some of the nooks and crannies we hadn’t covered in our daily walks around the cliffs. After bothering the slow worms under the corrugated iron sheeting outside the red shed (we found eleven!) we popped into some of the remaining hides we hadn’t visited yet.

We watched a scrap unfold from the hide at South Haven as two seals had a slapping match over a particularly comfortable rock… The first and more aggressive of the seals wouldn’t share the space, and was very angry when a wave knocked him into the water! The second seal who had been trying to sneak on when the first wasn’t looking quickly jumped aboard, giving his rival a taste of his own medicine as they batted at each other with their flippers.

IMG_20190609_152635839_HDR (LR) © 2019 Carina Roberts Illustration

A scramble up and down the “hairy” walk around Frank’s point revealed the great black-backed gull food waste disposal – we found a pile of Shearwater carcasses all hidden behind a boulder, wings still intact. Definitely deserving of their nickname, “The lions of Skokholm” – I’m just glad I’m too big to carry off and eat!

As evening approached, I made two last visits to Crab Bay and South Haven to begin saying goodbye to all my new friends, with varying reactions. The puffins inspected my clothes, one hopping up onto my leg, another pecked my bum! I loudly proclaimed my love for the seals down at South Haven which was met by a resounding “WoOooOOO!” call from one…

Click below to see observations from Crab Bay and South Haven hides larger!

 

 

Fair winds homeward-bound

It was difficult to say goodbye on the last morning. As we waited in the harbour for the boat to take us back to mainland, the seals gathered as if to see us off- and as a little drizzle came down we all looked a little speckly!

We were lucky to have a particularly smooth crossing, but I couldn’t help shedding a few tears as I watched the island fade away into the distance. The opportunity to be outside from sunrise til sundown, with a wonderful little community made me increasingly sad as we returned to ‘civilisation’.  So much feels like it’s missing from modern life in our quest for improvement and perfection- we isolate ourselves from the world, each other and even ourselves, and what even for?

As I begun this diary as a way to learn more about life on a very special island, so it continues- I’m in the process of using my first-hand experience to begin a new project about puffins, to add to my portfolio along with the short poem-story I produced for North Somerset Arts Week called “Seal Song” (more on that next time!)

So this week in Skokholm continues to remind me, as Tolkien said-

“It is brought home to me; it is no bad thing to celebrate a simple life.”

 

From my own reference drawings and photos- some preliminary gouache and pencil studies ready for this impending puffin project! Click to see larger. 

(If any of you come across this- a huge thank you to the wardens Richard and Giselle, the volunteers Jenni and Ishbel, and all of my fellow guests for such a wonderful, special week!)

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The AutumnHobbit

© Carina Roberts and AutumnHobbit. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Carina Roberts and AutumnHobbit with appropriate and specific direction to the original content.

Kernow- A visual diary!

Happy New Year all!

What a wild and stormy start to 2018! Here’s hoping you’re warm and dry, and haven’t been affected by the wind and rain too badly!

I wonder how many people out there started this year (or any new year!) feeling a little anxious? A whole 365 new days stretching out from here to what feels like eternity, full of expectations, resolutions and challenges- a certain desperation in feeling you HAVE to do something new and exciting this year while still fulfilling all of your previous commitments? I’m sure it’s most of us!

In the past feelings like this have overwhelmed me- there’s so much that I want to do, that I’ll take on too much at once, and feel bad because I didn’t finish everything I wanted to. Now, I’m trying my best every new year to think of something specific to focus on for the coming months in order to better my practice (and myself) to really target my weaknesses!

For example, I’ve never really liked drawing buildings. As a child, animals, humans and landscapes always caught my attention- they seemed to offer so much more in terms of colour, texture and movement to work with. As my love and skill for drawing more organic subjects grew, the frustrations with drawing buildings just multiplied. Perspectives of streets confused me, windows and bricks just always came out looking so … boring. Much like you can often tell an artists’ mood by looking at their artwork, you could tell a lot of my relationship with drawing buildings from my project work – a hope, a desperation to make it look perfect, then a flat, dull finished piece where I’d once again given up.

A couple of years ago, on a resolution-making day, I thought a lot about drawing buildings. I thought about my university course, and my wonderful tutors who had always seemed to know how to help me out of my comfort zone into something I was really passionate about. It’s been at the back of my mind ever since- when I went to Dublin and Edinburgh I took hundreds of pictures to help me study oddly shaped and colourful buildings, and dedicated a section of my external hard drive to artists who had drawn or painted them.

In Rain - Ludwig Bemelmans
Ludwig Bemelmans – from “Madeline” – “In Rain…”

I discovered two key things during this ongoing study.

a) My buildings didn’t have to be architecturally perfect. Not every window, door and brick had to be identical- in fact, the more I embraced the different shapes as opposed to getting bogged down in the detail, the more improvement I noticed.

b) The interest in buildings for me doesn’t necessarily lie in how they look… Their relationship to outside effects- eg. age, weather, daily routines happening around them is where their appeal lies.

In November of last year, my brother and I organised a surprise trip to Cornwall for my Mum’s birthday. Despite my previous studies, I realised during this visit that I’d never completed a project solely based around buildings. So, over the next couple of months, I documented our journeys around Marazion, Penzance and St. Ives through the buildings we came across, as often as I could completing a piece per day as a warm-up. One of my official New Year’s resolutions was to complete this project, and this post is designed to share it with you!

Kernow- A Visual Diary – © 2017/2018 Carina Roberts Illustration

The King's Arms (signed) 72DPI © 2017 Carina Roberts Illustration
“The King’s Arms” – Marazion

 

St. Ives Street (72DPI) © 2017 Carina Roberts Illustration.jpg
“St. Ives Street” – St. Ives

St. Ives Street 2 - Elderly couple © 2017 Carina Roberts Illustration
“St Ives Street 2 – The Climb” – St. Ives

St. Ives Fishmonger (72DPI) © 2017 Carina Roberts Illustration.jpg
“Fishmonger” – St. Ives

St. Ives Day (72DPI) © 2017 Carina Roberts Illustration.jpg
“Daily Route” – St. Ives

Marazion High Street (72DPI) © 2017 Carina Roberts Illustration
“High Street” – Marazion

St. Ives Street III Final (72DPI) © 2017 Carina Roberts Illustration
“St. Ives Street 3”

Marazion High Street - Night Final (low Res) © 2018 Carina Roberts Illustration
“Night” – Marazion

St. Ives Street 4 Final (Low Res) © 2018 Carina Roberts Illustration
“St. Ives Street 4” – St. Ives

Cornish Pub sketch final (Low Res) © 2018 Carina Roberts Illustration
“The Sloop Inn” – St. Ives

Penzance Harbour (Low Res) © 2018 Carina Roberts Illustration
“Penzance Harbour” – Penzance

Penzance Pub (Low Res) © 2018 Carina Roberts Illustration
“Penzance Pub” – Penzance

Market Place- St. Ives (Low Res) © 2018 Carina Roberts Illustration
“Market Place” – St. Ives

Marazion street painting (Low Res) © 2018 Carina Roberts Illustration
“Marazion Street” – Marazion

Jowder's Cottage (Low Res) © 2018 Carina Roberts Illustration
“Jowders Morning” – Marazion

Washing Day Final Artwork (72DPI) © 2018 Carina Roberts Illustration
“Washing Day” – St. Ives

Beach Garden Final Artwork (72DPI) © 2018 Carina Roberts Illustration
“Beach Garden” – St. Ives

Marazion Dusk Final Artwork (72DPI) © 2018 Carina Roberts Illustration
“Dusk” – Marazion

 

I’m slowly improving in my building painting- in that I’ve learned a huge amount about why I always hated them as subject matter, and how I can apply the skills I’ve enjoyed in illustrating other things to making them interesting to me!

As you can see from some of these pages, I’m also actively doing a lot more work with different types of lighting (which has also scared me in the past) – another of my resolutions this year! There’s a post I would like to write soon about a very showery walk I went on recently up quite a steep hill- the patches of cloud and sunlight dancing across the blustery sky made for some really impressive lighting, which is my next challenge to have a go at painting since finishing this mini-project!

There’s a lot to look forward to this year, and a lot of work to be done… But that’s how I like it!

The AutumnHobbit

© Carina Roberts and AutumnHobbit. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Carina Roberts and AutumnHobbit with appropriate and specific direction to the original content.

 

 

 

 

 

Oceans and Woodsmoke- British Coastlines and Baby Steps in Pyrography

Hello wonderful readers!

I’m afraid this post has been a bit of a long time coming, hasn’t it… How is it May already?! I hope your 2017 is off to a cracking start!

By way of a quick catchup, here’s a little about my year so far, and why I’ve been ignoring my blog-writing duties!

I had a little adventure to Edinburgh with my partner back in February, my first time in Scotland! The flight in was really quite amazing- zooming right in over the sea, feeling like you’re almost skimming the various little jutting islands and great hulking boats chugging out of the harbour!

Aerial Approach to Edinburgh planning sketch (75DPI) © 2017 Carina Roberts Illustration.jpg
The flight to Edinburgh- a view through the plane’s window!

The city centre itself was really something else- with all the hills and different street levels, it’s possible to get some really spectacular views over the rooftops! The castle is visible from wherever you are sitting proud up on its mountain, watching over and protecting all the smaller buildings that sprawl out and around it.

Edinburgh Castle sketch (Low Res) signed © 2017 Carina Roberts Illustration.jpg
© 2017 Carina Roberts Illustration –                A quick sketch on a freezing hillside!

A large part of my time since Christmas has been split between working on my Silent Book concept for the yearly competition at Bologna and preparing for another North Somerset Arts Week with some of my local artist chums! This time around, all my work was inspired by the theme of “Wild Coast”, working from a brief I wrote up back in January to create a completely new range of occasion greetings cards, prints and large artworks, to explore some of my favourite journeys from the past couple of years in and around British and Irish coastlines.

Working so hard in my silent book project to tell the narrative through pictures alone I found spilled over into this “Wild Coast” brief- even into the greetings cards! I began the ideas process for these cards by thinking which animals I could use to celebrate each occasion. After plenty of sketching and research into the animals themselves, the designs started to take shape, including dogs, seals, rays, crabs and puffins.  Before I knew it, the puffins had organised themselves into a little family, and through a series of three occasion cards told the story of the birth of a puffin couple’s first chick!

© 2017 Carina Roberts Illustration – (1) “Puffin Love” –        The puffin couple rub beaks as a mark of affection, reinforcing their partnership. (Designed as a “Love” card- for an anniversary, for the birthday of a special someone etc.)

Mother Puffin Final (Low res) signed © 2017 Carina Roberts Illustration.jpg
   © 2017 Carina Roberts Illustration – “Mother Puffin” –                 A single egg and chick is raised each year by a puffin couple, watched carefully by the parents. (Designed as a Mother’s Day or New Baby card)

Good Luck, Puffling! (Low Res) signed © 2017 Carina Roberts Illustration.jpg
© 2017 Carina Roberts Illustration – “Puffling takes flight” – Despite their devotion to the egg, juvenile puffins are left to their own devices for their first flight- perhaps shaping them into the plucky birds we know them as. Young puffins will not get their distinctive colouring until adulthood. (Designed as a “Good Luck” card!)

Over the next couple of days, I’m working to upload some of these occasion designs to my Thortful profile- here –  ready for sale- keep your eyes peeled for lots of coastal creatures!)

North Somerset Arts Week takes place every two years. It’s easy to forget what can be, and what is achieved in that length of time as you plod through your day-to day life! In my practice alone, I finally listened to various arty friends and set out working with gouache instead of normal watercolour during this time, and it’s brilliant- I feel able to get far more texture and colour into my work than I ever could before. Similarly, after years of admiring pyrography but never trying it myself, I was kindly bought a set of wooden discs and a pyro-pen to play with for my birthday back in February.  I wanted to explore pyrography  within the theme of “Wild Coast” for the exhibition as well, using some of the same creatures from the occasion cards- a perfect medium to illustrate the rugged perseverance of animals existing in harsh coastal climates.

Pyrographed sea creatures (low res) © 2017 Carina Roberts Illustration .jpg
© 2017 Carina Roberts Illustration – First steps in pyrography!

The pen I’ve been using is an Antex Craft pen, which is suitable for pyrography as well as fabric distressing, wax artwork, embellishment and (even!) as a mini iron!  There are many different tips for all these purposes that you can easily attach and detach- quite a few of which are varying nib-sized pen shapes. In the box, along with the tool and nibs, you receive a little stand to protect your work surfaces as the hot metal cools down.

(I’ve only touched upon what this tool can achieve in terms of pyrography so far, and haven’t even begun to explore its other abilities yet!)

To work with, as you might expect, it’s just like a pen- but your drawings are permanently etched into the surface of whatever you’re working on. The small wooden slices I received to practice on (as far as I can tell) are slightly sanded, but their natural grain still runs in rings out towards the edges. This grain looks very pretty and adds a nice extra bit of texture to the finished drawing, but if you’re used to working on smooth paper it’s definitely something to get used to- the pyro-pen likes to try and follow each of the rings, so if your design cuts across them it can be difficult to keep it on track!

I found it easier to try and work WITH the grain than against it- taking a look at any one disc before starting, you might see places where certain lines of your drawing can combine with the natural pattern of the wood. However, I found quite a lot of what I wanted to achieve forced me to cut across this grain, and after experimenting a little I found that:  a) drawing out your design first, with quite a hard pencil, can help form another natural channel for your pen to follow, and b) using dots to make up lines can flow better than trying to draw one continuous line!

I can show you an example of what I mean in point b) with this particular seal design:

Seal pyrography crop (Low Res) © 2017 Carina Roberts Illustration.jpg
© 2017 Carina Roberts Illustration- Pyro-seal!

The shading on his belly, as you might be able to see, was achieved with a sort of dotted, stippled effect of quick dabs with the pyro-pen- which ended up giving him a sort of mottled, freckly look!

I’ve only had positive experiences with this tool so far- it heats up quickly, has two different settings of heat for different depths of shading, and has produced some really lovely results! The next step is to work onto a larger piece of wood, and draw more of a composition than one single design…

Even if it doesn’t feel like it in your day-to-day grind, you’re always developing, evolving and improving… So just go for it, and don’t give up!

(P.S. The little mouse mentioned in the previous post is now running wild back in the fields of Wales, after a winter season of building his strength back up!)

The AutumnHobbit

© Carina Roberts and AutumnHobbit. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Carina Roberts and AutumnHobbit with appropriate and specific direction to the original content.